The easy place to find New Jonas Brothers album is from internet. Just go to Yahoo Music store and you can listen to Lines, Vines & Trying Times - new Jonas Brothers album.
Sam Phillips' advice to Johnny Cash at the dawn of rock'n'roll - "Go home and sin, then come back with a song I can sell" - seems a touch out of date in the light of the Jonas Brothers' staggering commercial success. Some lazy Wikipedia-lead research suggests that they made $12m in 2007. Since then they've released a third LP, a live concert CD, some kind of 3D film and made more kids' TV appearances and contributions to OSTs with colourful and cuddly sleeves than you could spoil your Disney-enslaved offspring with. And it's all been achieved, crucially, without soiling their immortal souls in the painfully formative practice of getting it on.
While it would be easy to write them and their chastity rings off as springing straight from the minutes of some hellish PTA meeting, in reality their success is down to years of rigorous home-schooling, countless prepubescent Broadway parts and a Christian radio single that eventually caught the ear of label execs. They've taken being dropped by Columbia in their stride too, this latest being their third for Disney's Hollywood Records and, surprisingly, not in the least bit sexless.
Their MJ-channelling vocals ride a selection of co-written pop-rock filtrate, distantly reminiscent of Elvis Costello, Wheezer and Thin Lizzy. In a number of 'mature' developments to their sound they've laid down impeccably produced horns (see bombastic opener "World War III"), come within millimetres of salacious classic rock in the excellent "Poison Ivy" (watch out for the implied "bitch" in the chorus!) and, on lead single "Paranoid", dispensed a chilled-out post-baggy number. Other noteworthy achievements of the record include the duet with their ludicrously grown-up sounding and hamster-like label mate Miley Cyrus (aka Hannah Montana) and "Don't Charge Me For The Crime", featuring Common.
Picking up where Sonic Youth and Cyprus Hill left off, this is surely the highpoint of the record, for those in their teens or above anyway; Nick Jonas narrating a hilarious imagining of an ill-fated drug run with the socially-conscious rapper. Common plays the role of dodgy friend who gets in Nick's car with bags of cash and what is charmingly referred to as a "pistol" throughout, ultimately getting them both arrested.
It's only a little bit racist and a markedly post-Bush move for a staunch Evangelical; a sign perhaps that the Jonas Brothers represent something more creative than just a well-honed product. Given the importance to their brand of wholesome (and very American) values, the unfolding story of their careers will surely provide some insight into the relationships between money, fame, morality and rock'n'roll.
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The Lemonheads are all about Evan Dando. Evan Dando and his flowing long hair. Evan Dando, his flowing long hair and his penchant for heroin. Evan Dando, his flowing long hair, his penchant for heroin and his celebrity friends. Oh, and the cover versions. The cover versions are key.
And so it goes on "Varshons", which features Dando as the only original Lemonhead starring alongside 11 tracks he didn't write. There are guest appearances from Kate Moss (on Arling & Cameron's "Dirty Robot") and previous Lemonheads collaborator Liv Tyler (on Leonard Cohen's "Hey, That's No Way To Say Goodbye"). The only thing missing is the penchant for heroin. But that's probably good.
It would be easy to criticise The Lemonheads for doing a covers album. But their greatest success has come from singing other people's songs. It was 1992's version of Simon & Garfunkel's "Mrs Robinson" that thrust Dando's troops into the limelight. Of course, it was persistent plays on other people's material (check 1993's album title: "Come On Feel The Lemonheads") that kept them there.
You could argue that the art of the cover version is underappreciated. No one criticised Johnny Cash for it. Although Dando can't challenge Cash's magisterial grace, he knows how to reinvent a tune. It helps to pick the right tune and Dando has good taste, judging Gram Parsons ("I Just Can't Take It Anymore"), Wire ("Fragile") and Townes Van Zandt ("Waiting Around To Die") to be worthy of homage. But that's all this album is, really. Homage.
There's the obligatory take on the successful pop hit as Dando turns Christina Aguilera's "Beautiful" into a moderately haunting acoustic track. But the lyrics are embarrassing: "Now and then I get insecure, from all the things, I'm so ashamed / I am beautiful no matter what they say / Words can't bring me down." The message is positive if you're a teenage girl, which Dando isn't and neither is his audience. So it fails. However, this is the only disaster. Even Moss's appearance is lifted beyond the cocaine dullness she offered for Babyshambles.
The problem Dando, and anyone who does covers has, is for them to work you have to add extra levels to tracks previously viewed in simple terms. That's why Cash's versions of U2's "One" and Nine Inch Nails' "Hurt" will be remembered. He injected levels of wisdom to songs that previously lacked it. Dando can't do that. He has neither the experience nor the greatness. He just adds a supermodel and some long-haired slacker sheen. Which is fine. But it's little more.
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Have you watch Oasis concert in UK this year?if you don't have time to watch the concert prepare your self to get the latest album from Oasis this year.
Their seven studio recordings will come out alongside the B-sides collection "The Masterplan", with new artwork and sleevenotes.
The Gallagher brother's label Big Brother confirmed the news today, with each version available on heavyweight vinyl.
A limited number of box-sets containing all eight will also be available, with the official release date scheduled for July 13.
Britney Spears is back with new album "Girls Are Always Right" in June 2009. Britney song is always in 100 chart Yahoo Music. Song If U Seek Amy, Circus, Piece Of Me, Gimme More, Break The Ice,Toxic and Stronger is so familiar with people over the internet. You should listen to her new album or just watch her new video in Youtube or Yahoo music.
More than any other single artist, Britney Spears was the driving force behind the return of teen pop in the late '90s. The blockbuster success of the Spice Girls and Backstreet Boys certainly paved the way for her own commercial breakthrough, but Spears didn't just become a star -- she was a bona fide pop phenomenon. Not only did she sell millions of records, she was a media fixture regardless of what she was (or wasn't) doing; among female singers of the era (many of whom followed in her footsteps), her celebrity star power was rivaled only by Jennifer Lopez. From the outset, Spears' sex appeal was an important part of her image; the video for her debut single, "...Baby One More Time," outfitted her in full Catholic-school regalia, and sent her well on the way to becoming an international sex symbol. Yet Spears' handlers seemed to be trying to have it both ways -- there was a definite tension between the wholesome innocence Spears tried to project for her female audience, and the titillating sexuality that enticed so many male fans. Those marketing tactics made Spears a somewhat controversial figure, the subject of endless debates concerning appropriate role models for teenage girls. Early on, Spears tried to defuse the controversy by preaching abstinence until marriage, and even denied that she was consciously cultivating such a sexualized image. Of course, the more provocative and revealing her on-stage wardrobe became, the less plausible that claim seemed. But apart from her ability to tiptoe the line between virginal coquette and brazen tart, Spears had a secret weapon in Swedish pop mastermind Max Martin, who had a hand in the vast majority of her hits as a writer and/or producer. With Martin crafting the sort of contemporary dance-pop and sentimental ballads that made stars of the Backstreet Boys, Spears kept on delivering the goods commercially, as her first three albums all topped the charts.
Britney Jean Spears was born December 2, 1981, in the small town of Kentwood, LA, and began performing as a singer and dancer at a young age. With a nationally televised appearance on Star Search already under her belt, Spears auditioned for the Disney Channel's The New Mickey Mouse Club at age eight. The producers turned her down as too young, but one of them took an interest and introduced her to an agent in New York. Spears spent the next three years studying at the Professional Performing Arts School, and also appeared in several television commercials and off-Broadway plays. At 11, she returned to The New Mickey Mouse Club for a second audition, and this time made the cut. Although her fellow Mouseketeers included an impressive array of future stars -- *NSYNC's Justin Timberlake and JC Chasez, Christina Aguilera, and Felicity actress Keri Russell -- the show was canceled after Spears' second season. She returned to New York at age 15 and set about auditioning for pop bands and recording demo tapes, one of which eventually landed her a deal with Jive Records.
Spears entered the studio with top writer/producers like Eric Foster White (Boyzone, Whitney Houston, Backstreet Boys) and Max Martin (Ace of Base, Backstreet Boys, *NSYNC). In late 1998, Jive released her debut single, the Martin-penned "...Baby One More Time." Powered by its video, in which Spears and a troupe of dancers were dressed as Catholic-school jailbait, the single shot to the top of the Billboard charts. When Spears' debut album of the same title was released in early 1999, it entered the charts at number one and stayed there for six weeks. Once the ubiquitous lead single died down, the album kept spinning off hits: the Top Ten "(You Drive Me) Crazy," the near-Top 20 ballad "Sometimes," and the Top 20 "From the Bottom of My Broken Heart." By the end of 1999, ...Baby One More Time had sold ten million copies, and went on to sell a good three million more on top of that. Its success touched off a wave of young pop divas that included Christina Aguilera, Pink, Jessica Simpson, and Mandy Moore. Spears was a superstar, drooled over in countless magazines, including a Rolling Stone cover that prompted immediate speculation about the still-17 year old having gotten breast implants.
By the time ...Baby One More Time finally started to lose steam on the singles and album charts, Spears was ready to release her follow-up. Oops!...I Did It Again appeared in the spring of 2000, and the title track was an instant smash, racing into the Top Ten. The album entered the charts at number one and sold over a million copies in its first week of release, setting a new record for single-week sales by a female artist. Follow-up singles included "Lucky," the gold-selling "Stronger," and "Don't Let Me Be the Last to Know," which was co-written by country diva Shania Twain and her producer Mutt Lange. A year after its release, Oops!...I Did It Again had sold over nine million copies. Rumors that Spears was dating *N Sync heartthrob (and fellow ex-Mouseketeer) Justin Timberlake were eventually confirmed, which only added to the media attention lavished on her.
For her next album, Spears looked ahead to a not-so-distant future when both she and much of her audience would be growing up. Released in late 2001, Britney tried to present the singer as a more mature young woman, and was accompanied by mild hints that her personal life wasn't always completely puritanical. It became her third straight album to debut at number one, although this time around the singles weren't as successful; "I'm a Slave 4 U," "I'm Not a Girl, Not Yet a Woman," and "Overprotected" all missed the Top Ten. In early 2002, Spears' feature-film debut, Crossroads, hit theaters, but its commercial performance was somewhat disappointing; moreover, her romance with Timberlake fizzled not long after. Spears next made a cameo appearance in Mike Myers' Austin Powers: Goldmember, and contributed a remix of "Boys" to the soundtrack. Meanwhile, sales of Britney stalled at four million copies, perhaps in part because a new breed of teenage female singer/songwriters, like Michelle Branch and Avril Lavigne, was emerging as an alternative to the highly packaged teen queens. Spears took a break from recording and performing for several months, and began work on a new album in early 2003. The results, In the Zone, reflected a wish to be taken seriously as a mature (though still highly sexualized) adult. Predictably, it topped the charts and launched several singles into orbit, including the musically adventurous "Toxic," "Everytime," and "Me Against the Music."
In the Zone hit number one on the Billboard 200, and "Toxic" snagged a Grammy for Best Dance Recording. But by 2004 there were no longer any illusions of Britney's personal life being all wholesome candy canes and kisses. First there was the star's bizarre two-day marriage to childhood friend Jason Alexander, followed by the controversial, highly sexualized Onyx Hotel tour, which was eventually canceled (allegedly because of a knee injury) despite positive financial numbers. Starbucks and cigarettes were Britney's constant accessories in the endless paparazzi photos, and the revelation of her relationship with former backup dancer Kevin Federline made the tabloids even more ravenous. Spears and Federline married in September and were tabloid regulars in the months after the ceremony. (A photo of a barefoot Britney leaving a dingy gas station bathroom made the Internet rounds.) The couple also starred in Chaotic, a UPN reality show consisting mostly of their own home videos that was met with howls from the critics and blogs.
2005 was no less eventful for Spears. She released Greatest Hits: My Prerogative that January, but it was the announcement of her pregnancy that really garnered the headlines. Sean Preston Federline was born in September, and a bidding war ensued for first rights to the baby photos. As the hubbub surrounding Sean's birth continued, Britney released a remix album just in time for the holiday season. In 2006,Spears discovered she was pregnant again; shortly after the birth of her second son, Jayden James Federline, she divorced Federline. Early in 2007, Spears went to Malibu, CA's Promises Treatment Center; when she left, she began working on her comeback album and performed a few small shows at House of Blues locations in Los Angeles, San Diego, Anaheim, and Las Vegas that May. Later that summer, however, plans to release an album were pushed back to 2008. ~ Steve Huey, All Music Guide
All people know Kelly Clarkson and people looking for her music, download on iPhone and listen her beautiful voice while in bus or train. If you look for Kelly Clarkson free music or video then you can try yahoo music or browse from the internet. I do not Hook Up , My Life Would Suck Without You is Kelly Clarkson most people search for Kelly Clarkson music on the internet from her latest album.
The winner of Fox TV's first American Idol: The Search for a Superstar competition during the summer of 2002, Kelly Clarkson went from an anonymous talent to a nationally known singer, performing for an audience of millions of viewers. One of the show's most naturally gifted singers, the 20-year-old Burleson, TX, native's vocal talents were discovered when she was in seventh grade, when her school's choir teacher heard her singing and urged Clarkson to join the choir. After high school, Clarkson cultivated her voice and went to Hollywood to make her name; she appeared as an extra on an episode of Sabrina, the Teenage Witch but no other opportunities materialized.
Upon returning to Burleson, Clarkson worked at a movie theater, promoted Red Bull energy drinks, and ultimately worked as a cocktail waitress at a comedy club before entering the American Idol contest. One of 10,000 aspiring singers, Clarkson distinguished herself not only with her big, surprisingly mature voice, but also with her down-to-earth charm and sense of humor; at one of her auditions, she switched places with judge Randy Jackson, who did an impromptu version of R. Kelly's "I Believe I Can Fly." Over the course of the 13-week show, her consistently strong performances of songs like "Respect," "Natural Woman," "Stuff Like That There," and "Without You" earned Clarkson enough audience votes to claim one of the contest's two finalist positions. After singing "A Moment Like This" and "Before Your Love," both of which were written for the show, Clarkson won the American Idol contest with 58 percent of the audience's votes. In addition to the show's prize of one million dollars and a recording contract with RCA, Clarkson secured a deal with Creative Artists Agency and several bookings, including the national American Idol tour and a performance of the national anthem at the September 11 commemoration at Washington, D.C.'s Lincoln Memorial.
Despite her newfound fame, Clarkson opted to remain in Texas rather than move to New York or Los Angeles. Her first single, "A Moment Like This," was released just two weeks after she won the contest and quickly earned platinum sales. Clarkson's debut full-length, Thankful, was released in spring of 2003, just in time to coincide with the second season of American Idol and right before the American Idol movie, From Justin to Kelly. Breakaway followed in late 2004 and was a huge success, selling over five million copies (making it the third best-selling album of 2005) and spawning the hit singles "Because of You," "Behind These Hazel Eyes," and "Since U Been Gone." That song and Breakaway earned Grammys for Best Female Pop Vocal Performance and Best Pop Vocal Album, respectively, at the 48th Annual Grammy Awards in early 2006. Clarkson continued her busy touring schedule that spring and summer and announced plans for her third album.
In 2007, Clarkson released My December the studio follow-up to Breakaway. Notable as Clarkson's first foray into writing or co-writing most of the songs, My December had a darker, even more rock-oriented edge than its predecessor and even featured a guest appearance by punk icon bassist Mike Watt. ~ Heather Phares, All Music Guide
